Boz Scaggs
Atlantic Records
August 1969
Track List:
1. I'm Easy
2. I'll Be Long Gone
3. Another Day (Another Letter)
4. Now You're Gone
5. Finding Her
6. Look What I Got
7. Waiting for a Train
8. Loan Me a Dime
9. Sweet Release

Produced by Boz Scaggs, Jann Wenner & Marlin Greene
Recorded at Muscle Shoals Sound Recorders
Recording engineer: Marlin Greene
Cover & backliner photos: Elaine Mayes
Inside liner photos: Stephen Paley
Album design: Robert Kingsbury
Re-mixed by Tom Perry
Sound City, Los Angeles, CA
October 1977
Musicians:
Boz - vocals and guitar
Duane Allman - dobro and slide
Eddie Hinton, Jimmy Johnson - guitars
Barry Beckett - keyboards
David Hood - bass
Roger Hawkins - drums
Al Lester - fiddle
On I'm Easy the horn section is:
Charles Chalmers - tenor sax
Floyd Newman - baritone sax
Ben Cauley - trumpet
On all the other selections the horn section consists of:
Gene "Bowlegs" Miller - trumpet and trombone
Joe Arnold - tenor sax
James Mitchell - baritone sax
Jeannie Greene, Donna Thatcher, Mary Holiday - Background vocals (except "Now You're Gone"). On "I'll Be Long Gone", they are joined by Tracy Nelson, Irma Routen,
and Joyce Dunn who provide the vocal background on "Now You're Gone".
RECORDING OF LMAD
"Loan Me A Dime was a song that I had heard Elvin Bishop and his band doing with a singer called Jo Baker; I didn't know who it was by or any of the words. So I called Jo in San Francisco and she was able to give me some words, although as she didn't know them all and I had to add some of my own.
As things turned out at the very end of the sessions we had a small amount of time left and everyone who'd been involved were all there. Now it was very difficult to get everyone in the studio at one time because Muscle Shoals wasn't very big. We had the horns out in the corridor, I was singing in the rest room next to the soda machine, and Duane was enclosed with his amplifier in a kind of broom closet in the middle.
We just started to run it through for one take to make sure that everyone knew where they were going, and then because time was running out, went for one final take. The energy that was in the room was just fantastic; Roger Hawkins on the drums really got into the thing, changing up the tempo several times, and the sax player just came up with this riff that the others fell into. And of course Duane's playing was just out of sight." - Boz Scaggs (Guitarist magazine 2001)
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