Slow Dancer
Columbia Records
April 1974
DSD Remastered Import 2004
Track Listing:
1. You Make It So Hard (To Say No)
2. Slow Dancer
3. Angel Lady (Come Just In Time)
4. There Is Someone Else
5. Hercules
6. Pain of Love
7. Sail on White Moon
8. Let It Happen
9. I Got Your Number
10. Take It for Granted
Musicians:
Drums: Ed Greene, James Gadson
Bass: James Jamerson, James Hughart
Keyboards: Joe Sample, Michael Melvoin, Clarence Mcdonald, Russell Turner, Jerry Peters
Guitar: David T. Walker, Dennis Coffee, Wh Wah Watson, Jay Graydon, Greg Poree, David Cohen, Orville "Red" Rhodes
Conga: King Errison, Joe Clayton
Various Percussion & Vibes: John Arnold, Gene Estes
Trumpet & Flugelhorn: Paul Hubinon, Chuck Findley, Warren Roche, Jack Taubach
Saxophone: Fred Jackson, Ernie Watts, John Kelson
Trombone: George Bohannon, Lon Norman
Background Vocals: Carolyn Willis, Julia Tillman, Myrna Matthews, Loma Willard, Pat Henderson
Joe Sample appears courtesy of ABC/Blue Thumb Records
David T. Walker appears courtesy of Ode Records, Inc
Chuck Findley appears courtesy of Monterrey Records
Ernie Watts & George Bohannon appear courtesy of A&M/Horizon Records
Produced By: Johnny Bristol
Strings Arranged and Conducted By: H.B. Barnum
Engineer: Greg Venable
Re-mix: Al Schmitt
Recorded at Devonshire Sound Studios N. Hollywood, CA
Special Thanks: George Daly, Ted Feigin & Tony Lawrence
Photography: Annie Liebovitz
Design: Ron Coro and Anne Garner
Art Direction: Ron Coro
The Making of Slow Dancer:
...Boz and Bristol put material together, sang it to each other, and while Boz went back to San Francisco, Bristol called in the session men to lay down the tracks. Then Boz came back in to sing. Horns, strings, backup voices, and adjustments were all added later.
His new roll as "only a singer" required a considerable readjustment..."I started to feel insecure, and felt great frustration several times because of difficulty writing things. I had a feeling that things were getting out of proportion. It was frightening at first until I realized that it was just a whole new thing. I was learning how to sing, how to use my voice, and how to use dynamics. I really had to live up to those tracks.
I wanted to move in a certain direction, and Johnny (Bristol) walked me through it. It meant a stronger vocal delivery, more the way I like to hear myself sing. It meant a different relationship to the material. With soul music you can't have lyrics that rely on subtle shadings or interpretations. It's got to be something you can deliver with conviction to a live audience." - Boz Scaggs